Amin Alsaden

ع

Whose “National” Gallery?

Lands Within

The Counter-Archive

Introspection as Resistance

Distilled Lessons

Elegiac Musings

Irreconcilable Paradox

Grafting Skin

Eternal Recurrence

Mixed Signals

Incessant Inquiry

Contingent Solidarities

Unvanquished

Palimpsestic Urbanism

In the Head's Dusk

Environment at War

Occluding Baghdad

Looking the World in the Face

Migrating Seeds

Belonging without a Home

Arctic Warmth

Patterns of Belonging

Collective Burdens

Arctic/Amazon

Planting Displacement

Unextinguishable Longing

Shifting Ground

In Deep Water

2011 ≠ 1848

Capsule

Beyond Fragility

Enfolding the Larger World

Exiled at Home

Lingering Orientalism in Global Practice

Architecture as Urbanism

Home in My Palms

Tending Land

Remembering Lorna Selim

Breathing Resistance

Fueling Global Conflicts

Topologies of Air

Unruly Archives

Refuge as Defiance

Mutant Histories

Ingesting Home

Bathed in that twilight gold

Me As Happening

Space for Solace

Dives Deep Into Oil

World Discovered Under Other Skies

A World Asleep But Me

Overlapping and intertwined territories

Examining Arab Art Today

Flickers in the Dark

Spazio Disponibile

Anxious Audience

What we found after you left

Hold Everything Dear

Baghdad’s Arab Biennial

The Truth in Black and White

Conceiving the Global

Shaping Ambitions

Thirty Years of Arab Art

Alternative Salons

Every Building in Baghdad

Cultivating Continuities

Intransigent Architectures

Capturing Evanescence

The Green Zone

Kuwait Assembly Building

Scalar Liaisons

Obstructing Reform

Culture as a Last Resort

Duplicity of Mirages

'Casbahism' in Europe

Locating Contemporary Iraqi Culture

Averting a Moroccan Revolution

Dissipating Dissent

Redefining Cultural Institutions

Dubai Next

About Work (selection) Contact

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